FROM THE OFFICE OF Gaston D’Agrivieri

Hollywood, CA

Director’s Note

“Ed Wood” at the Egyptian: A Love Letter to Dreamers and Outsiders

Sep 28, 2024 | Events

Tim Burton directing Johnny Depp and Sarah Jessica Parker on the set of 'Ed Wood' | Circa 1994
Photo Credit: Sunset Boulevard/Corbis via Getty Images
'Ed Wood' 30th Anniversary Q&A with screenwriters Larry Karaszewski & Scott Alexander | Sept. 2024
Photo Credit: D'Agrivieri Personal Collection
INT. EGYPTIAN THEATRE, HOLLYWOOD – DAY

Watching Ed Wood at the historic Egyptian Theatre was nothing short of magical. There’s something transcendent about seeing a film surrounded by fellow movie lovers–it feels more than just a screening; it becomes a collective experience of laughter and inspiration. Even three decades after its release, Ed Wood still resonates deeply, proving that its themes of passion, rejection, and artistic perseverance are timeless.

Directed by Tim Burton, Ed Wood is based on the real-life story of Edward D. Wood Jr., an eccentric filmmaker who existed on the fringes of Hollywood. That outsider status is exactly what makes his story feel so relevant today. In an industry still reluctant to embrace true weirdness, Ed’s journey is both inspiring and achingly familiar. The film’s message–that genuine passion can coexist with perceived failure–feels as fresh now as it did in the ’90s.

The screenplay is tight, witty, and emotionally rich, pulling together a cast that fully embodies the heart of this offbeat world. At the center is an early 30s Johnny Depp, who delivers one of his most empathetic performances as Ed—a dreamer with unshakable optimism and a refusal to take “no” for an answer. Through his eyes, we witness not just the struggle of making movies, but the joy of believing in something against all odds.

“Visions are worth fighting for. Why spend your life making someone else’s dreams?”

Ed Wood

Written by, Scott Alexander & Larry Karaszewski

A turning point in Ed’s life–and in the film–comes when he meets Bela Lugosi, the aging horror icon beautifully portrayed by Martin Landau. Their friendship, unlikely yet sincere, anchors the story with pathos. Lugosi, facing his twilight years, and Ed, just beginning his uncertain rise, collide in a way that’s strange, touching, and completely true. It’s a once-in-a-lifetime connection, and the film captures it with warmth and melancholy.

Though filmed in the 1990s, Ed Wood feels like a love letter to classic cinema. The black-and-white cinematography was a bold choice at the time, but it pays off spectacularly. The film feels like a time capsule, preserving not just a story, but a whole era of filmmaking–the sets, costumes, and practical effects are rendered with such affection that you could easily mistake the film for something made in the 1950s.

What makes Ed Wood stand out among biopics is that it doesn’t mock its subject–it celebrates him. It’s the kind of film that makes you root for someone who’s constantly being knocked down by life, and yet keeps getting up with a smile. These are the movies I cherish the most: stories where the protagonist’s struggle becomes our own, and where perseverance in the face of rejection becomes something heroic.

'Ed Wood' (L to R): Bill Murray, Brent Hinkley, Sarah Jessica Parker, Johnny Depp & Max Casella | Circa 1994
Photo Credit: Touchstone Pictures
INT. BOARDNERS - NIGHT. Larry Karaszewski and Gaston D'Agrivieri, same big booth--three decades after | Sept 2024
Photo Credit: D'Agrivieri Personal Collection
Int. Scruffy coffee Shop – Later that night
Ed and his gang celebrate opening night in a dirty 24-hour diner. They’re nosily slugging down drinks, in a big red booth.
INSERT – THE NEWSPAPER. Ed turns to a column. “The Theatrical Life by Victor Crowley.” Under this is a photograph of an old man with an ascot.
WIDE
Everybody excitedly crowds around and start reading. A moment… and then their faces drop. Clearly, this is a disastrous review. Their faces get sadder and sadder… and then they finish. A melancholy beat, until —
Bunny
What does that old queen know? He wasn’t even there!
(he knocks back a drink)
Sending a copy to do his dirty work. Well fuck him!
Dolores
Do I really have a face like a horse?
Paul Marco
What does “ostentatious” mean?
Ed calmly waves his arms for attention. He tries to smile.
Ed
Hey. Hey, it’s not that bad. You just can’t concentrate on the negative. He got some nice things to say…
(he scans the review)
See “the soldier costumes are very realistic.” That’s positive!
'Ed Wood' Screenplay written by Scott Alexander & Larry Karaszewski, based on the book 'Nightmare of Ecstasy: The life and art of Edward D. Wood Jr.' by Rudolph Grey
Script excerpt for educational purposes only

And just when I thought the night couldn’t get more surreal, I wandered down a few blocks after the screening and found myself at the very booth where one of the movie’s early scenes was filmed. To top it all off, I met with Larry Karaszewski, one of the film’s screenwriters. That spontaneous moment made an already special evening feel like cinematic fate.

Ed Wood, a rare gem from the ’90s that captured the essence of what it means to be a filmmaker, turned 30 years old. They say time flies when you’re having a great time–and everyone in the theater was indeed having an excellent one. The film has not only aged well due to its subject matter, but its themes and messages about the struggle to make it in Hollywood feel as relevant as the headlines we see today.

Whether you’re a cinephile, a fan of underdog stories, or just curious about the life of one of Hollywood’s most infamous filmmakers, this film is a must-see. And if you ever get the chance to watch it on 35mm at a classic venue like the Egyptian, don’t miss it–it’s pure movie magic inspiration.

Ed Wood

1994  ∘  Rated R  ∘  Runtime 2h 7m

Johnny Depp . . . Edward D. Wood Jr.
Martin Landau . . . Bela Lugosi
Sarah Jessica Parker . . . Dolores Fuller
Patricia Arquette . . . Kathy O’Hara
Jeffrey Jones . . . Criswell
G.D. Spradlin . . . Reverend Lemon
Vincent D’Onofrio . . . Orson Welles
Bill Murray . . . Bunny Breckinridge
Lisa Marie . . . Vampira (Maila Nurmi)
George ‘The Animal’ Steele . . . Tor Johnson
Juliet Landau . . . Loretta King
Max Casella . . . Paul Marco
Brent Hinkley . . . Conrad Brooks
Norm Macdonald . . . (V.O. as a Director)
Directed by
Tim Burton
Written by
Scott Alexander and Larry Karaszewski
Produced by
Denise Di Novi, Tim Burton and Michael Flynn
Cinematography by
Stefan Czapsky
Edited by
Chris Lebenzon
Production Design by
Tom Duffield
Costume Design by
Colleen Atwood
 © MCMXCIV Touchstone Pictures
 All Rights Reserved

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